Thursday, December 26, 2019

Analysis Of Jane Austens Persuasion - 1576 Words

Perfection in Austen’s Persuasion Jane Austen is know for writing sympathetic but realistically flawed female characters. Elizabeth Bennet is witty but prideful, Emma Woodhouse is well meaning but frightfully un-observant, and overcoming these flaws is what drives these characters’ arcs throughout their respective books. Yet in Austen’s novel, Persuasion, at first, Anne Elliot seems as if she is the perfect woman. She is a woman of â€Å"birth, beauty, and mind,† (Austen 20), she manages to be liked by nearly everyone she meets, and she was the only one to keep a calm head when Louisa fell in Lyme (79). However ideal she may seem though, she is not flawless. Anne Elliot’s greatest fault is that she suffers from a lack of courage and nerve, and†¦show more content†¦Yet besides a simple suggestion that it is the woman’s job to look after the children, Anne doesn’t tell Mary that her behavior is egotistical, and actually uses Mar y’s outburst to avoid seeing Captain Wentworth by suggesting that she herself will look after the child (41). Anne does not challenge Mary’s poor behavior even when it is blatantly selfish and even compromises with her in order to further avoid a different type of confrontation. This is not the only time that one of Anne’s family members acts disagreeable in such an obvious fashion. Her father s character is so shallow that he only cares about looks and rank (4), rarely acts in a way that is not displeasing or ridiculous to the reader, and has overspent all of his money and is now in debt (8). Austen even states that Sir. Walter has â€Å"no affection for Anne,† (175) his own daughter. He goes so far as to make fun of the appearance of a man who served in the navy (15). We as the reader can see that Sir. Walter has no redeemable qualities, and yet Anne does not stand up to him when he disproves of her engagement with Wentworth when she is younger (20). Au sten does say that, â€Å"it might have been possible to withstand her [Anne’s] father’s ill will,† (21) and it is ultimately Lady Russel that convinces Anne to sever the relationship, but young Anne never tries to defend herself against SirShow MoreRelatedA Close Analysis Of Jane Austen s Persuasion1098 Words   |  5 PagesA close analysis of Jane Austen’s Persuasion (Extract 3) Many readers of Persuasion believe Austen uses the namesake â€Å"persuasion† too neutrally. She appears to passively describe the results when the protagonist is persuaded to abandon Wentworth’s first proposal, but actually has much to say on being persuadable, and mainly argues that it is not inherently wrong. Persuasion in the novel’s early chapters works in two forms: as an overpowering force on the foolish like Sir Walter, or as an importantRead MoreThe Function and Importance of Letters in Jane Austens Pride and Prejudice1272 Words   |  5 PagesThe Function and Importance of Letters in Jane Austens Pride and Prejudice Introduction In her classic novel, Pride and Prejudice, Jane Austen describes the tribulations of Elizabeth Bennett, one of five sisters, as she struggles to navigate the social mores and values of early 19th century England. 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Pride and Prejudice In his influential analysis of the role of landed estates in Austens fiction, Duckworth argues that estates function not only as the settings of action but as indexes to the character and social responsibility of their owners.[153]  Landscape improvements appear as an iss Jane Austens (1775–1817) distinctive  literary style  relies on a combination of  parody,  burlesque,irony,  free indirect speech, andRead MoreAnalysis Of Orson Scott Card s The Great Pattern 1676 Words   |  7 Pageswhat resonates with the contemporary writer is essential in determining whether the focus of aspiring writers should be imitating Fielding’s ‘writers of antiquity’, embracing the ‘great pattern’, or on more recent works. For the purpose of this analysis I will be considering works written within the last twenty years ‘recent’, whilst analysing what writers gain, or lose, from fiction written longer ago. Some themes in literature are forever relevant to the human condition. George Orwell’s Nineteen

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